A Silent Response

I started this sketch on the day of the solar eclipse last month. I noticed a watching woman with her head turned to the sky and her hands pressed over her heart and thought how it communicated the moment’s awe.

Initially, I put in a grey background similar to what we saw, but it did not communicate a reason for the woman’s reaction. Over the subsequent weeks, I slowly built a geometric butterfly-like background over the flat gouache with gouache, ink, color pencils, and markers. I like this better because it suggests why the woman is responding to the moment.

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Tuesday Night with Wayne Thiebaud

My Tuesday night still-life group has made a change for the fall. We begin our weekly sessions by viewing select artwork from artists who paint in distinctive styles. Then, using a still life or photo, we attempt to evoke something of the artist while we paint for 90- minutes.

This week, we considered Thiebaud’s Delta landscapes, which incorporate an aerial perspective showing geometric patterns, a patchwork of fields, and waterways that cut through the scene.

The longer you look at an artist’s work, the more you learn and refine your understanding of the artist’s goals. For instance, Thiebaud focused on a landscape without people or machines, yet, not knowing this, I placed a tractor in the center of my patchwork of fields and waterways.

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A Sunday Walk

Even in San Diego, we see fall color this time of year.

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Flowers for a Thursday

I painted several similar scenes last spring; only I used much more gouache. This one is on Shizen smooth watercolor paper. Although it is smoother than their rough paper, it still has enough texture to achieve translucent light in the part of the vase that has water. Something that pleases me about this sketch is the variety of levels of transparency.

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Roses and Hedge

I like this little value study more than the painting that goes with it.

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A Healthy Smoothie for Papa!

We had a hectic visit with our son and his beloved in the Bay Area. I only did a few sketches while we were there, mostly line drawings with a red pastel pencil on black bristol paper. Now that I am home, I am adding gouache to some of them. I like this scene because it is a role reversal of the days when we had to be inventive about getting our kids to eat healthy foods.

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Crocheting for Halloween

I sat with one of my favorite fabric artists as she was adding to her collection of small Halloween figures. I like being with other artists as they make decisions about their work, in this case, choices about the yarn, the stitch, the color. I couldn’t help but notice that I was making similar choices and that seeing the art of others was making my own art flow.

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