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Author Archives: Sarah Sullivan
Striped Towel at Dusk
I love sketching people on the move. This is from Hapuna Beach, Hawaii, where I was drawing with pastels after a long swim. I saw a man going down to the water with a towel for his companion. They both … Continue reading
Posted in Figures, Plein Air, Telling a Story
Tagged Gouache, Hapuna Beach, Hawaii, Pastels
2 Comments
Summers Past Farm
The Thursday Plein Air group painted at a small flower farm in east San Diego County. I liked this view of one of the old farm cottages surrounded by shade and foliage.
Posted in Plein Air, Telling a Story
Tagged California, Farm, Gouache, Plein Air, Summers Pat Farm
2 Comments
A Southern Arizona Mesquite Tree
We went to Southern Arizona for a long weekend. The first morning I was up before the sun and sketched the first rays of sunshine as it came over the Cochise Mountains onto the desert floor and the bare branches … Continue reading
Posted in Landscape, Plein Air, Telling a Story
Tagged Cochise Mountains, Gouache, Mesquite Trees, Plein Air, Saint David Arizona
1 Comment
Coarsegold Painting Trip
I had a great time camping with several artist-friends earlier this week. The Fresno River and the surrounding area inspired and kept us all busy. We shared our work throughout the day, and seeing the work of the others caused … Continue reading
Posted in Landscape, Plein Air, Telling a Story
Tagged California, Coursegold CA, Figures, Gouache, Landscapes, Plein Air
5 Comments
Sketching in the Dark
From the first campfire of the new camping year, such fun to be with good artist friends!
Posted in Landscape, Plein Air
Tagged Black Watercolor Paper, California, Gouache, Plein Air
1 Comment
Sketching with a Model, Part 2
The model for this sketch is from this week’s figure drawing session at the San Diego Watercolor Society. I painted this model once before, and both times felt that her hair and gaze strongly communicated her confidence, and I wanted … Continue reading
Sketching with a Model
Yesterday I attended the figure drawing session at the San Diego Watercolor Society. This is one of the warm-up sketches where I used three values to understand who I was drawing and how I would paint the model.