Several More from Santee Lakes

In the past week, I painted several times at Santee Lakes as I got ready to give a demo sponsored by the San Diego Watercolor Society that took place last Saturday. I posted my first two practice pieces on this blog the final week of December and am now adding two more practice pieces and the three pieces I painted during the demo.


This past Wednesday was cold and overcast, and the scene was about as close to a wintery look as we get in coastal California. Here are the two practice pieces I did that day.

A Cold Day at Santee Lakes

Along the Shore of Santee Lakes


I was expecting something similar on Saturday for the demo, but it was a much colder day with a much brighter sky and warm tones everywhere. Additionally, the lakes had been restocked, so the water had lots of fish, and the shoreline had lots of people fishing, which was fun for all of the sketchers. This next painting is the piece I demoed for the group. I was disappointed in it because it was tight, and the colors clashed, possibly a reflection of some nervousness on my part.

Catfish Season Opens!

Fortunately, a lanky young man in a hoodie came along and fished near me, and I enjoyed sketching him.

Fisherman in a Blue Hoodie

And the day did warm up, as California days do, and I was able to capture some of that warmth in this sketch of three fisher people from across the lake.

Three Fisher People
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Hello New Year!

Hello New Year!

Hello New Year! It is so good to see your ancient self again. May I find you as delightful as ever!

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December Day at Santee Lakes

Trees are just now losing their leaves in the San Diego area. It makes for beautiful reflections in the water, especially when contrasted with the reeds on the left.

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In the Misty Morning

In the Misty Morning

Are people more quiet on misty mornings, or does the mist damp the sound? We ate on a terrace overlooking Hanalei Bay and seemed like everyone spoke in whispers while keeping their eyes on morning sky and changing sea.

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Happy Holidays to All!

Sending the warmest of holiday wishes to each of you, readers, bloggers, fellow art enthusiasts, family, and friends across the globe. May the new year bring peace, fulfillment, and great painting fun to all!

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Backlit Figures

These last months, I have been working on compositions that look directly into the sun and have strongly backlit features with dramatic shadows. The Thursday group went to Coronado Island this past Thursday morning; the sun was bright, the shadows were long, and it was a perfect time to practice these elements.

Twenty minutes before our group meeting, I abandoned the painting I was working on and quickly blocked out this sketch. After looking at the wonderful work from our group and seeing how the others handled the light, I went home and reworked this little sketch, adding much brighter color to the landscape and highlighting the figures.

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Tuesday Night with Paul Cézanne

My First Version
My Second Version

Our Tuesday night still-life group has made a change for the fall. We begin our weekly Zoom sessions by viewing select artwork from artists who paint in distinctive styles. Then, using a still-life or photo, we attempt to evoke something of the artist in our work while we paint for 90- minutes.

Our artist yesterday evening was Paul Cézanne, the French Post-Impressionist painter. His still-life paintings are characterized by flat, short geometric brushstrokes that combine warm and cool colors.

Our organizing artist created a still-life setup in her home, featuring apples and pears arranged in a manner that echoed Cézanne’s compositions. After 90 minutes of painting, we shared our work. It was then I realized that my work had taken a significant detour. While my peers had captured the essence of Cézanne, I saw that I had veered towards my style, with its pronounced differences in value and shape.

This morning’s reflection brought revision. I revisited Cézanne’s work and read more about his techniques and perspectives. This led me to adjust my painting, trying to incorporate elements of his style, particularly the use of brushwork, color, and form to describe the subject.

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