
I am used to sketching on Zoom now, but even so I had trouble drawing the model tonight. Despite a strong pose and interesting costume, my first sketch was way too tight.
I got out a two-inch flat brush for the second pose and used it with better results. Because the brush is so large, it forces a more relaxed and a more exaggerated sketch. By the time I began the third pose, which is the one with this post, I knew what I wanted and how to do it. I was able to turn the brush to get details in the fingers and variegated color in the head. If only we had had a time for a fourth pose!
I never considered using the same brush and turning it sideways. Why not use a smaller brush? There is lots to art that I don’t know about .
LikeLiked by 1 person
Look at the subtle paint shades through the forehead and arms. As best I know, I think you can only get this look with gouache if you take one stroke with a large brush. It is flat but not uniform. I was doing this as an exercise to loosen up, but now I will be able to use it more deliberately. You could use this technique with any size brush, I went large because I was trying to get a looser look and I was working on a fairly large piece of paper.
LikeLike
You captured something essential to the personality you were sketching. It’s very interesting.
On Wed, Sep 23, 2020 at 12:18 AM, Deliberate Sketching wrote:
> > > > > > > Sarah Sullivan posted: ” > > > > > I am used to sketching on Zoom now, but even so I had trouble drawing the > model tonight. Despite a strong pose and interesting costume, my first > sketch was way too tight. > > > > I got out a two-inch flat brush for the second pose and used it with > better” > > > >
LikeLiked by 1 person
I may have told you Alana, that I am a member of a very large family. Growing up, we all used to work on projects in the same room. I was 10 to 15 years older than the youngest ones and in high school I went through a phase where I tried to draw like my little brothers, that is to make simple and powerful images. This image reminds me of their drawings from long ago.
LikeLike
Sarah, thank you for sharing, I could feel the motion in his head. Looking at your strong-motion filled painting kicked my head back involuntarily. To get a physical reaction…. in empathy, is quite a wonderful result.
LikeLiked by 1 person
Thank you Sonja, this means a lot coming from you!
LikeLike