Home Is Just Over the Laguna Mountains

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Home Is Just Over the Laguna Mountains

After a month on the road the sight of the Laguna Mountains in the distance made me so happy. As you drive west from El Centro the mountains first come into view as a faint blue smudge and within 30 minutes transform into an immense purple structure.  The larger the mountains became, the more my excitement grew.

During our trip to Prince Edward Island and back I sketched many views of the road ahead and wanted to end our trip with one more. The challenge of sketching while driving is that nothing holds still and it is easy to get a mess instead of a coherent view. I work around this by selecting some big structures of the scene and then use these to organize the sketch.

Today I began by outlining the road and the smaller blue mountain on the left.  It made an interesting curve down across the page and gave places for the sky, vegetation and cars. I worked on these smaller sections, one by one, by sketching whatever was in front of me at the moment. I saved the sky for last. When I went to work on it the mountains appeared much larger and much more purple than when I began the sketch 20 minutes earlier. I decided to add a second layer of purple mountains using some of the space that the sky was going to go in. Then to connect the new mountains to the whole picture I put some of the purple color onto the highway.

This is a pastel and gouache sketch with some editing in Procreate.

 

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New Mexican Hills 

New Mexican Hills
Yesterday evening at dusk we were driving across southern New Mexico. It was an arid area and the setting sun enhanced the yellows of the grasses. I liked the layers that the stretches of grass, trees and sky made and sketched them as we drove.

This is a pastel and gouache sketch. 

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Texan Trees

Texan Trees

I drew as we drove from Austin to New Mexico today across a mesmerizing landscape. The trees, I think live oak trees, were thick near Austin, but the further we drove the more sparse they became. They were somewhat backlit against the blue sky and browning hills and just plain beautiful.

I sketched with pastel pencil on black paper and then overpainted portions of the pastel with gouache.

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Hillside near Austin

Hillside Near Austin by Sarah SullivanHillside Near Austin

I sketched with pastel pencil as we drove along today, trying to get the basic feel of the landscape as it flew past us.

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An Old Pine Tree

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An Old Pine Tree

I sketched this at the same cemetery that we stopped by yesterday afternoon. I stood on the hillside below this huge old partially dead pine tree and drew a portion of it in a very small sketchbook. In the end I liked the bold shapes and strong colors, although I did wish I had made the pine tree more recognizable.

This is a gouache and pastel sketch on black paper.

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New England Cemetery

New England Cemetery by Sarah Sullivan

New England Cemetery

Driving back from Prince Edward Island, we stopped to stretch our legs and sketch a bit in Amesbury, Massachusetts. We were hoping for a park but found a cemetery instead. 

This is a pastel and gouache sketch on black paper.  

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On the Homestead Trail at Prince Edward Island National Park

Prince Edward Island National Park by Sarah Sullivan

On the Homestead Trail at Prince Edward Island National Park

The rain stopped, the sun came out, the temperature warmed and we spent the afternoon biking on the Homestead Trail at Prince Edward Island National Park. It was incredibly beautiful. 

I did something new today. I began with a pastel sketch as usual but when I got to adding the color I paid little attention to the lines I had just made. In fact I pretty much ignored them. Instead I drew with my paintbrush, making changes to the sketch as I painted. I painted outside the lines, over lines and in the lines. And I left more of the pastel showing than I normally do. I think that making the under-sketch helped me understand and organize what was important. However, by ignoring the under-sketch while I painted, my eyes and attention stayed strongly on the scene and I was better able to show what I felt.  I like the energy of this sketch. 

This is a pastel and gouache sketch on both sides of a 5 X 8 black Moleskine sketchbook with black paper. 

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