Tuesday night with Emily Carr

Tuesday Night with Emily Carr

My Tuesday night still-life group has made a change for the fall. We will study artists who paint in strong styles and then attempt to evoke something of the artist while we paint from a common set-up or photo.

Emily Carr was our first model artist, and we looked at how she incorporated movement into her paintings. We had a terrific photo with lots of texture and action in the trees, so we were nicely set up for the task. But it was different to wonder what another artist might have done, noticed or emphasized and then to use that idea ourselves as we painted. It was a good evening.

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Plumbago in a Large Blue Bowl

Plumbago in a Large Blue Bowl

It was my turn to set up for my Tuesday night still-life group, and I filled a large blue glass bowl with water and plumbago, trained my computer camera on it, and we were good to go.

One of the first purchases I made when we were young and got a little ahead of our bills was this bowl and platter. I got it at Target and used it for everything: to serve food, as a centerpiece, and as a fruit bowl. I especially liked it filled with the plumbago that grew along the back side of the place we rented in our first years in San Diego. Later, when we bought our house, I planted a single container of plumbago, and now it is a towering hedge, much like the one at our rental.

Much has changed in the past forty years, but I still love plumbago in a large blue bowl.

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Yoga Poses for People and Trees

Kate Sessions Park overlooks the bay and turns out to be a wonderful setting for both painting and yoga. I went to the park to paint a landscape but got distracted by a group of yoga enthusiasts. They were limber and strong and held each pose long enough for me to draw a simple outline of several figures. I also liked how the trees seemed to be holding yoga poses.

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A Frisbee Morning

We went over to Kate Sessions Park with the Thursday Plein Air painters. The park is very green, full of foliage, and overlooks Mission Bay and the distant downtown. Even on foggy mornings like this one, I usually get lost in the details when I paint here. This time, I simplified the background and changed the focus to this eager dog and man.

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Chicken Ranch Beach

The fog lifted so we stopped at Chicken Ranch Beach in Inverness for one last painting, with lighting more typical of San Diego than of Point Reyes National Seashore. My cousin, fine artist Ann Lewis (https://www.thedoorartgallery.com/artists/ann-lewis), walked down closer to the shore, and I quickly sketched her. A swimmer went in, and I sketched her, too.

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Misty Morning at Limantour Estuary

The sky was dripping at Limantour Estuary, not raining, but so heavy with mist that it left its marks as I painted the sky and parts of the lagoon. I liked the effect and later tried to add more with a spray bottle, but it did not work.

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Walk along Tomales Bay

Here is another sketch of Tomales Bay. I saw a young woman walking along the shore, and there was something about her body language that showed how she loved the Bay. I wanted to capture that feeling in this sketch.

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