Focused listening

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As I looked ahead, I thought it likely that I would not have enough time on this first day of October to sketch so I posted a sketch I did a few weeks ago just as I was learning to use markers. I like the bold geometric shapes of this sketch, the limited number of colors, and the strong thick lines, especially the eyebrow lines. The lines from the marker create a worried frown, give volume to the clothing, and texture to the hair. The story this sketch tells me is that the figure is thinking closely about the focus of her attention. The slight frown and wide eyes create a facial expression that is open, concerned, and vulnerable, the expression of someone who really hears the conversation that is taking place. The concern in the face is emphasized by the way the hand holds the neck.

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Because of a giraffe enthusiast

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There is so much that I only really notice after someone points it out to me. I have visited the zoo many times but only began to see giraffes when I heard them praised by a fan. The more I drew giraffes today, the more I noticed about them. I did several sketches before I began to comfortable with their heights, spots and especially their wonderful facial expressions. I began with my water-soluble pencil but could not make it define the important features I was noticing. I ended up using pen, marker and watercolor. I hope to return soon with a wider variety of pens.

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Back at the beach

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It was a beautiful day for boogie boarding, sunny with moderate winds and gentle surf. And it was a great day for sketching at Mission Beach as well. I sat on the beach wall near an energetic group and worked on conveying the enthusiasm of a boogie boarder headed back out for another ride.  I am sticking with the deliberate practice goal of using line more expressively and like the way I caught the stance of the figure and the movement of the waves breaking. I used a water-soluble pencil and watercolor in a small mixed media sketchbook.

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Two bicyclists

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Sometimes I put my all into a sketch and only get a mess; at other times I quickly jot my impressions and end up capturing a detail that seems right on. This sketch, while full of exaggeration, has such a detail. The green bicyclist is exerting pressure on her pedals with her legs and arms and this involves a twist to her head and torso that is characteristic of  a young cyclist riding a bike on a slight uphill slope. I used a water-soluble pencil to make lines of different weights, which is my deliberate practice goal, and to fill in the darks of the palm trees. I sketched in my mixed media sketchbook and used very wet washes to block in suggestions of background.

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On the patio # 2

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In Saturday’s post, “On the patio,” I had to crop out a portion after making a mess of it. Since I did many sketches that night when I was working on capturing expressions that convey a sense of people not engaging socially with a group, I was able to return to a similar sketch today and develop it further. I began this sketch using pen and ink. Today I continued to experiment on it by making more lines with pen, markers, and pencils. I used Yupo paper for the first time and am getting the hang of managing markers that stay moist and mixable.  In some parts of this sketch the line marks are visible, such as the figure’s hair, forehead, and shirt, and I hope to develop the skill to routinely include this type of line in more of my sketches.

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On the patio

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I continued to experiment with markers as I worked on incorporating line into my sketch in a way that did not distract from the story. I began with a line sketch in ink from yesterday, added marker, and then augmented the marker with colored pencil. I used bristol board with markers and the smoother surface took the markers well, leaving fewer distinct marks in the filled in areas.  My limited choice of color markers forced me to work a bit more abstractly and I think this enhanced the expressions on the three faces.

It took some time and several sketches, but as I sketched I realized this was an opportunity to convey the experience of a social gathering where the conversation is lagging a bit. All mouths are closed, there is no eye contact and no smiles. The knitter is intent on her work, the middle figure leans forward looking disinterestedly at the knitting, and the figure on the right is looking into the distance as though he is thinking of a topic that might engage his companions.  I had to wait patiently for each person in turn to take on a real expression I could fit into this story since for the most part it was a lively evening.

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Counting stitches

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Counting stitches while knitting in crowd takes concentration. This simple line sketch shows the knitter’s focus with her slight frown, extended lower lip, relaxed body, and the direction of her gaze on her hands.

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